Once upon a time, Sony’s Spider-Man Universe used to be the laughing stock of superhero cinema, and with good reason.
The studio that abandoned Sam Raimi’s fourth installment deep into pre-production in favor of a rebooted universe that was itself ditched only two movies in when there were already several sequels and spinoffs in the works has once more tried to build itself a shared mythology that can rival that of Kevin Feige’s monolithic franchise, and the hype has been tepid at best.
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