A Director’s Cut isn’t necessarily a guarantee of improvement, with the multiple editions of Oliver Stone’s infamous Alexander proving that sometimes it’s impossible to polish a cinematic turd, no matter how hard you try.
However, there have been many instances when filmmakers heading back to tinker with their features has yielded an exponentially better experience for audiences, justifying the decision to return to the well, and leaving fans to question why the inferior theatrical version was the one approved for release by the studio.
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