Trying to justifiably describe a big budget, R-rated action blockbuster that takes place against the backdrop of World War I, which features all sorts of wild and inventive gadgets designed to do the maximum amount of damage in the most cinematically stylish way possible, as an anti-violence movie sounds like a stretch.
Matthew Vaughn may be many things, but subtle most certainly isn’t one of them, so it would be foolish of us to assume that The King’s Man is sneaking in some sociopolitical subtext in among the neat camera tricks and gonzo violence that the franchise has been characterized by so far.
from Movies – We Got This Covered https://ift.tt/33N1R5V
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